The Beads | Nollywood Reinvented

Excel Adeogun


Directed by Moyin Ezekiel and produced by Akinbayo Morakinyo of H-Debay Production, The Beads narrates the tale of a bride-to-be whose wedding day tragically transforms into her final day. As she struggles to survive, she yearns to reverse time, embarking on a journey through the complex web of human emotions.

The first thing to note is that The Beads is a time loop story. This sub-genre is slowly making its mark in Nollywood productions, especially with the recent release of Japa still fresh in our minds. This raises the question: will The Beads offer something unique or captivating to this emerging genre?

In Japa, the central theme revolves around the protagonist’s desperate attempt to escape his time loop in order to travel abroad, creating a strong emotional connection with the audience. Similarly, The Beads brings a fresh twist to the time loop concept by setting it on a bride’s wedding day—a day traditionally considered the happiest for many women. The bride (played by Zainab Balogun) navigates the repetition of what should be a joyous occasion, now tinged with dread and suspense.

When working with time loops in movies, a great level of meticulous planning and precision is demanded. It’s crucial to establish clear rules governing the time loop to ensure consistency and continuity across each iteration. In The Beads, the first loop shows the protagonist immediately attempting to explain the phenomenon to her grandmother. This seems premature, as most time loop films typically portray the initial loop as a period of confusion, where the affected individual questions their reality. The protagonist’s dialogue adds to the confusion, as she speaks to her grandmother (played by Idowu ‘iya rainbow’ Phillips) as if she has experienced the loop multiple times, even though this is the first loop…



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